The whole tone scale is a six note scale with a numeric formula of 1-2-3-4-5-6-8/1 (no seventh degree). It is a symmetrical scale in that it follows a distinct pattern of steps, those being all whole steps from tonic to tonic, this poses a problem as there can only be a total of six whole steps within the twelve notes we have, so the seventh degree is left out all together making a six note scale. There are really only four practicable patterns of the whole tone scale (due to it's symmetry) with tonics on the fifth and sixth strings, two patterns for each tonic, one which stays in position and another that covers a large area of the neck in an upwards movement.
Harmonizing The Whole Tone Scale
Tertian harmony is the harmonization of a scale moving up in thirds, whether they be major or minor. Secundal harmony is the harmonization of a scale moving up in seconds and Quartal harmony is moving up in fourths. Using strict Tertian harmony principals when harmonizing the whole tone scale (in other words using every second note in the scale for example: C-E-G) produces six augmented triads, if we harmonize using tetrads we come up with six dominant seventh sharp five chords (the augmented sixth degree being used as the minor seventh as they are enharmonic). Now relaxing the rules and making use of Secundal harmony opens up some more interesting possibilities as we are now given a flat fifth (enharmonic to the 4). This produces six flat five chords and six dominant seventh flat five chords. For pentads we add a major ninth interval and come up with six dominant ninth sharp five chords and six dominant ninth flat five chords (equivalent to a dominant ninth sharp eleventh chord).
Whole Tone Scale Profile
Numeric Formula
1-2-3-4-5-6-8/1
Notation Formula (key of C)
C-D-E-F-G-A-C/1
Stepping
whole / whole / whole / whole / whole / whole
Tonal
tone / tone / tone / tone / tone / tone
Harmonized Triads (key of C)
C, C(5) / D, D(5) / E, E(5) / F, F(5) / G, G(5) / A, A(5)
The scales below are not shown in any particular key, they are patterns which can be moved around the guitar neck freely using the tonic (circled dot) as your navigator. See example below.
How to use
As an example, let's say you require a D major scale
After playing all the major scale patterns, you decide on pattern #2
Pattern #2 has it's root on the 5th string so you need to find the D note on this string
Click the notes on the neck chart tab and find the D note on the 5th fret (5th string)
Now play the D major scale using pattern #2 on the 5th fret
Use the Octave chart tab to help you remember which notes are where
Use the Scale chart help tab if your a beginner at reading scale charts
First determine which chord you require, let's use a B major chord in this example.
We know the root note is B, (if it were an A major chord the root note would be A and for Cma7 it would be C, etc etc)
Using the notes on the guitar neck chart, find the B note on the 6th string, 7th fret.
Now using the major scale patterns chart, look for pattern #4 which has it's root note on the 6th string and play it, your done!
Remember, learning and memorizing notes, chord voicings and scales in this way will improve your playing skills, theoretical knowledge and desirability as a band member.
Whole Tone Scale Audio Sample(s)
To download audio sample(s) for later listening, right click on the MP3 link, then from the context menu that appears select Save Target As (Internet Explorer) or Save Link As (Firefox).