A minor seventh flat five chord (also known as a half diminished seventh chord) is composed using a root/1st, minor 3rd, diminished 5th and minor 7th (or R/1-3-5-7) intervals played simultaneously. Generally written as Cmi7(5), C or C-7(-5), it is good practice to simply use an uppercase C with lowercase letters mi followed by a superscripted 7(5) to represent it in writing (ie: Cmi7(5)).
The minor seventh flat five chord is built upon the seventh degree of the harmonized major scale (tetrads) and possesses an extraordinary drive towards root resolution. The tonality of a minor seventh flat five chord is dissonant, unstable and unresolved, as opposed to major seventh or minor seventh chords which are consonant, stable and resolved.
Minor Seventh Flat Five Tetrad
In music theory, a minor seventh flat five chord belongs to a group of chords called tetrads. Generally, a tetrad is a four note chord composed using specific intervals, those being the root/1st, the 3rd, the 5th and the 7th degrees (note absence of interval quality). As previously shown, a minor seventh flat five tetrad is composed using a root/1st, minor 3rd, diminished 5th and minor 7th (R/1-3-5-7) intervals. Other tetrads are built by raising or lowering the 3rd, 5th and/or 7th degrees. For instance, a minor seventh tetrad interval structure is root/1st, minor 3rd, perfect 5th and minor 7th (R/1-3-5-7). The interval structure for a major seventh tetrad is root/1st, major 3rd, perfect 5th and major 7th (R/1-3-5-7), and a dominant seventh tetrad is root/1st, major 3rd, perfect 5th and minor 7th (R/1-3-5-7).
Major seventh, minor seventh, dominant seventh and minor seventh flat five tetrads occur naturally in the harmonized major scale (tetrads).
root/1st, minor 3rd, diminished 5th, minor 7th or R/1-3-5-7
Stability
Dissonant / Unstable / Unresolved
Grouping Class
Tetrad
Common Names (examples in C)
Cmi7(5), C, C-7(-5), Half Diminished
Minor Seventh Flat Five Chord Voicings
The chord voicings below are not shown in any particular key, they are shapes which can be moved around the guitar neck freely using the root note (circled dot) as your navigator. See example below.
How to use
As an example, let's say you require a D major chord
After playing all the chord voicings, you decide on voicing #2
Voicing #2 has it's root on the 5th string so you need to find the D note on this string
Click the notes on the neck chart tab and find the D note on the 5th fret (5th string)
Now play D major using voicing #2 on the 5th fret
Use the Octave chart tab to help you remember which notes are where
Use the Chord chart help tab if your a beginner at reading chord boxes
First determine which chord you require, let's use a B major chord in this example.
We know the root note is B, (if it were an A major chord the root note would be A and for Cma7 it would be C, etc etc)
Using the notes on the guitar neck chart, find the B note on the 6th string, 7th fret.
Now using the major chord voicings chart, look for voicing #4 which has it's root note on the 6th string and play it, your done!
Remember, learning and memorizing notes, chord voicings and scales in this way will improve your playing skills, theoretical knowledge and desirability as a band member.
Minor Seventh Flat Five Chord Audio Sample(s)
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