A diminished seventh chord (also known as a full diminished seventh chord) is composed using a root/1st, minor 3rd, diminished 5th and diminished 7th (or R/1-3-5-7) intervals played simultaneously. Generally written as C7, Cdim7 or Cmi6(5), it is good practice to simply use an uppercase C, a superscripted lowercase and the number 7 to represent it in writing (ie: C7).
A diminished seventh chord occurs naturally in a harmonized harmonic minor scale on the seventh scale degree, and although it does not occur naturally in a harmonized major scale, it does appear in a major scales parallel harmonic minor. The double flat () 7th is enharmonically equivalent to a major 6th and is one half-step/semi-tone lower than a minor 7th interval, hence the name diminished 7th.
The tonality of a diminished seventh chord is dissonant and distinctly unresolved, it "drives" towards root resolution as opposed to a major seventh chord which is stable and centered.
Diminished Seventh Tetrad
In music theory, a diminished seventh chord belongs to a group of chords called tetrads. Generally, a tetrad is a four note chord composed using specific intervals, those being the root/1st, the 3rd, the 5th and the 7th degrees (note absence of interval quality). As previously shown, a diminished seventh tetrad is composed using a root/1st, minor 3rd, diminished 5th and diminished 7th (R/1-3-5-7) intervals. Other tetrads are built by raising or lowering the 3rd, 5th and/or 7th degrees. For instance, a minor seventh tetrad interval structure is root/1st, minor 3rd, perfect 5th and minor 7th (R/1-3-5-7). The interval structure for a minor seventh flat five tetrad is root/1st, minor 3rd, diminished 5th and minor 7th (R/1-3-5-7), and a major seventh tetrad is root/1st, major 3rd, perfect 5th and major 7th (R/1-3-5-7).
Major seventh, minor seventh, dominant seventh and minor seventh flat five tetrads occur naturally in the harmonized major scale (tetrads).
root/1st, minor 3rd, diminished 5th, diminished 7th or R/1-3-5-7
Stability
Dissonant / Unstable / Unresolved
Grouping Class
Tetrad
Common Names (examples in C)
C7, Cdim7, CDIM7, Cmi6(5)
Diminished Seventh Chord Voicings
The chord voicings below are not shown in any particular key, they are shapes which can be moved around the guitar neck freely using the root note (circled dot) as your navigator. See example below.
How to use
As an example, let's say you require a D major chord
After playing all the chord voicings, you decide on voicing #2
Voicing #2 has it's root on the 5th string so you need to find the D note on this string
Click the notes on the neck chart tab and find the D note on the 5th fret (5th string)
Now play D major using voicing #2 on the 5th fret
Use the Octave chart tab to help you remember which notes are where
Use the Chord chart help tab if your a beginner at reading chord boxes
First determine which chord you require, let's use a B major chord in this example.
We know the root note is B, (if it were an A major chord the root note would be A and for Cma7 it would be C, etc etc)
Using the notes on the guitar neck chart, find the B note on the 6th string, 7th fret.
Now using the major chord voicings chart, look for voicing #4 which has it's root note on the 6th string and play it, your done!
Remember, learning and memorizing notes, chord voicings and scales in this way will improve your playing skills, theoretical knowledge and desirability as a band member.
Diminished Seventh Chord Audio Sample(s)
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